Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work.
Along with twentieth-century developments in playing techniques, technologies, and concepts of musical sound, the notations employed by composers have also changed.
By investigating how hip-hop producers make music using cloud-based music production libraries, this book reveals how those services impact music production en masse.
Gender in Music Production brings together industry leaders, practitioners, and academics to present and analyze the situation of gender within the wider context of music production.